7 Body Maps from South Africa were exhibited during the 8th Annual
John Allen Blue Award. Below is an edited reprint from the Philadelphia
Inquirer article documenting the Body Maps Project currently being
exhibited at The Painted Bride. The full text version of this article
is located at
this link.
Life Lines
- "Body
Maps" is an exhibit of very personal art by South African women
enduring with HIV - and hope.
By Annette
John-Hall - Inquirer Staff Writer
The tracings
started as just that. Sketches. Empty vessels, unfilled and unfulfilled,
just like the hundreds of thousands of South African women who clung
to the hope of survival before lifesaving antiretroviral drugs made
survival more than a possibility.
The 21 Cape
Town-area women who infused these drawings with vibrant color and
poignant words also invested them with their dreams for a longer
life. The tracings first became their stories, then pieces of artwork
and ultimately "Body Maps," an exhibition of images by
South African women living with HIV having its first U.S. showing
at the Painted Bride Art
Center.
"Body
Maps" is made up of 11 butcher-paper originals and 10 digital
reproductions on canvas, life-size mixed-media renderings that tell
the story of each artist.
"Body
Maps" is an offshoot of the University
of Cape Town's Memory Box Project, in which HIV-positive participants
- mostly women - handcrafted memory books and boxes for their children,
anticipating their eventual deaths.
But what organizers
discovered was that the participants were more interested in hope
than dread. That they would rather speak of their futures than their
pasts. In spite of the risk, a courageous band of volunteers emerged
from this group willing to tell their personal stories - by painting
a body map.
Working in
pairs, one person traced her partner's body. The partner then sketched
the tracer's body behind her. The completed outline depicts one
body shadowing the other, symbolizing support.
The full body
maps grew into a book called Long Life... Positive HIV Stories,
and then into this exhibition.
The process
of making these maps results in a kind of "support group,"
says Jennifer Lytton, director of special studies at Presbyterian
Hospital in New York, who started a body-mapping project with HIV-positive
women there.
In the United
States, approximately 950,000 people are estimated to have HIV,
according to the Centers for Disease Control and Prevention. Although
the CDC's report showed that HIV diagnoses increased 17 percent
among gay and bisexual men in the last four years, African American
women accounted for half of the new cases.
In Philadelphia,
89.1 percent of all the newly diagnosed AIDS cases so far this year
are African American or Latino.
In Africa,
HIV infection is pandemic. In sub-Saharan Africa, 70 percent of
all people live with HIV, and 57 percent are women.
Common threads
emerge from the narratives: abuse, poverty and violence, all set
in unsanitary environments. Common HIV ailments such as tuberculosis
and shingles, a nerve-related skin disease, are often depicted by
snakes and red blotches.
The maps convey
that "nothing about this disease is particularly easy,"
Lytton says. "Just taking so many pills a day is quite difficult,
physically and emotionally. They remind you you're dealing with
an illness."
But no painting
is totally bleak or altogether grim. Each one is embellished with
hope in the form of rainbows, flowers and Bible verses. "Making
this body map," writes a woman named Novangeli, "I was
feeling all the time happy!"